Comma for either/or — dharma, courage. Spelling forgiving — corage finds courage.

    The Atlas·Figures

    Aeschylus

    historical figure · 36 works · 51 mentions · 67 anchored passages · author page · cited 44 times in 28 works

    Aeschylus son of Euphorion · Aeschylus the Phleiasian · Aeschylus the poet · that Prometheus of Aeschylus · the poet · the tragedian Aeschylus · Æschylus

    spoken of as

    3 expressions

    Aeschylus the Phleiasian1 mention

    Symposium (Greek)

    And did you not laud Aeschylus the Phleiasian to me and me to him until you brought us to such a pass that in mutual yearning, excited by your words, we went coursing like hounds to find each other?
    chapter 4

    Aeschylus the tragedian1 mention

    Consolatio ad Apollonium (Greek)

    — He store of wisdom and of virtue hath, Whom nothing from the Gods provokes to wrath.
    consolatio ad apollonium

    Prometheus“Aeschylus”1 mention

    Tusculan Disputations (Latin)

    as that Prometheus of Aeschylus, to whom, when it had been said:
    book 3

    in the texts

    first 24 works

    StromataLate Antiquity · Greek

    Tragic poet cited as an example of one who unknowingly committed an offense by revealing sacred mysteries on stage.

    or of the thing he does, as Aeschylus, who, having uttered the mysteries on the stage, was judged in the Areopagus and so released, having shown himself not initiated;
    book 2
    To the one who toils there is due from the gods the offspring of his toil, glory.
    book 4
    Aeschylus too, laying hold of this thought, says:
    book 4

    Tusculan DisputationsHellenistic · Latin

    Greek tragedian, also described as a Pythagorean, author of the Prometheus text quoted in the discussion.

    Let Aeschylus come forward, who was not a poet only, but a Pythagorean too — for so we have been told.
    book 2
    as that Prometheus of Aeschylus, to whom, when it had been said:
    book 3

    RepublicClassical · Greek

    Greek tragedian whose phrase about being rather than seeming good is quoted and reinterpreted.

    And the saying of Aeschylus was, it seems, far more correctly applicable to the unjust man.
    book 2
    and when we have set up an unjust man of this character, our theory must set the just man at his side—a simple and noble man, who, in the phrase of Aeschylus, does not wish to seem but be good.
    book 2
    nor again must we permit our youth to hear what Aeschylus says— A god implants the guilty cause in men When he would utterly destroy a house, but if any poets compose a Sorrows of Niobe, the poem that contains these iambics, or a tale of the Pelopidae or of Troy, or anything else of the kind, we must either forbid them to say that these woes are the work of God, or they must devise some such inter …
    book 2

    Quomodo adolescens poetas audire debeatImperial · Greek

    Tragedian who built an entire play, the Psychostasia, around Homer's fable of Jupiter weighing the fates of warriors in golden balances.

    To this fable Aeschylus hath accommodated a whole tragedy which he calls Psychostasia, wherein he introduceth Thetis and Aurora standing by Jupiter’s balances, and deprecating each of them the death of her son engaged in a duel.
    ch. 1
    And Aeschylus also makes it a point of wisdom not to be blown up with pride when a man is honored, nor to be moved or elevated with the acclamations of a multitude, writing thus of Amphiaraus:
    ch. 1
    For Aeschylus, when, upon one of the fighters at fisticuffs in the Isthmian games receiving a blow on the face, there was made a great outcry among the people, said:
    ch. 1

    FrogsClassical · Greek

    Elder tragic poet who holds the underworld's throne of tragedy and defends the moral and civic value of his poetry against Euripides.

    AEACUS By Zeus, not he — but he kissed Aeschylus when he came down, and held out his right hand, and Aeschylus yielded the throne to him;
    frogs
    AESCHYLUS Demeter, you who nourished my mind, let me be worthy of your mysteries.
    frogs
    AESCHYLUS First, by dressing kings in rags, so they'd seem pitiable to men.
    frogs

    PoeticsClassical · Greek

    Athenian tragedian credited with key formal innovations in tragedy.

    Thus it was Aeschylus who first raised the number of the actors from one to two.
    chapter 4
    And the proof is that all who have dramatized the Sack of Troy as a whole, and not, like Euripides, piecemeal, or the Niobe story as a whole and not like Aeschylus, either fail or fare badly in competition.
    chapter 18
    The fourth kind results from an inference;
    chapter 16

    The Rights of War and PeaceRenaissance · English

    Greek tragedian cited for a speech addressed to the king of Argos in the Suppliants.

    For in the Greek Tragedy of the Suppliants, Aeschylus has introduced the people thus addressing the king:
    ch. 10
    This was a received opinion in ancient times, as we find from the language of Aeschylus, in whose Tragedy of the Suppliants, the King of Argos, addressing a number of the daughters of Danaus, on their coming from Egypt, says, “If the sons of Egypt exercise controul over you, maintaining that they are authorised to do so by the law of the state, as being the nearest allied by blood, who can resist them?
    ch. 26

    Consolatio ad ApolloniumImperial · Greek

    The tragedian, quoted rebuking those who treat death as something injurious, calling it instead the cure for all troubles.

    Aeschylus also doth justly reprimand those who think death to be an evil, declaring after this manner:
    consolatio ad apollonium
    — He store of wisdom and of virtue hath, Whom nothing from the Gods provokes to wrath.
    consolatio ad apollonium

    Quomodo quis suos in virtute sentiat profectusImperial · Greek

    Tragedian referenced three times: as the predecessor whose style Sophocles refined, as the source of a remark at the Isthmian games about the effects of exercise and training, and as the author of a poetic line about betrayed affections applied to a young scholar's love of philosophy.

    Aeschylus says of a young woman that, if ever she have played the wanton, you may discover it in her eyes, and read her affections in amorous glances which she cannot conceal;
    ch. 1
    Sophocles said of himself, that in writing his tragedies he first of all abated and pricked the tumor of Aeschylus’s invention, then corrected the harshness and over artifice of his composition, and, last of all, changed his very style and elocution, the thing which is most considerably persuasive, and which most of all conduces to good manners.
    ch. 1
    Aeschylus chanced to be a spectator at the Isthmian games, where some were engaged at sword play;
    ch. 1

    AgamemnonClassical · Greek

    Athenian tragedian, author of the Agamemnon; discussed in the translator's preface as a famously difficult but uniquely powerful poet whose voice must not be diluted in translation.

    , not easy to understand, in the opinion of his stoutest advocate among the ancients;
    agamemnon
    while, with respect to amplifications and embellishments,—anything rather than, with the good farmer, experience that most signal of mortifications, to gape for Aeschylus and get Theognis.
    agamemnon

    AcharniansClassical · Greek

    Tragic poet Dicaeopolis hoped to see at the dramatic festival.

    But then I had another pain, a tragic one, the day I sat gaping in expectation of Aeschylus, and the crier called out, "Bring on your chorus, Theognis!
    acharnians

    BirdsClassical · Greek

    The tragedian Aeschylus, cited by Pisthetaerus as the source of a line about feathers being one's own and not borrowed.

    We ourselves asked for this transformation, and, as Aeschylus has it, These are no borrowed feathers, but truly our own.
    birds

    CloudsClassical · Greek

    The tragedian whose verse Strepsiades asks his son to recite, and whom Phidippides dismisses as bombastic and rugged.

    and then he immediately said, Shall I consider Aeschylus the first among the poets, full of empty sound, unpolished, bombastic, using rugged words?
    clouds

    LysistrataClassical · Greek

    Athenian tragedian cited for the custom of oaths sworn over a shield.

    Over a shield, as they say once in Aeschylus, slaughtering a sheep.
    lysistrata

    ThesmophoriazusaeClassical · Greek

    Earlier tragic poet whose Lycurgus play is invoked as a model for Mnesilochus's mock-interrogation.

    And you, young man, whoever you are, I want to question you in the manner of Aeschylus, out of the Lycurgus play.
    thesmophoriazusae

    Nicomachean EthicsClassical · Greek

    Greek tragedian cited as an example of someone who acted in ignorance of a matter being secret.

    But a man may be ignorant of (2) what he is doing, as for instance when people say it slipped out while they were speaking, or they were not aware that the matter was a secret, as Aeschylus said of the Mysteries;
    book 3

    LettersLate Antiquity · Greek

    Greek tragedian invoked as capable of vividly lamenting a great calamity.

    I ought rather to say Aeschylus, or whoever else, like him, vividly setting forth the magnitude of a calamity, lamented it with a loud voice.
    letter 74

    AcademicaHellenistic · Latin

    Greek tragic poet named as a model imitated by Roman poets.

    Or is it because Ennius, Pacuvius, Accius, and many others give delight, men who expressed not the words but the force of the Greek poets—how much more will the philosophers delight us, if, as those poets imitated Aeschylus, Sophocles, and Euripides, so these were to imitate Plato, Aristotle, and Theophrastus!
    book 1

    OrationsImperial · Greek

    Tragic poet whose Philoctetes play is praised for antique boldness and simplicity.

    for some shared in the contest of Sophocles with Aeschylus, as of a young man with an old, and with Euripides, as of an older man with a younger;
    oration 52

    Vitae philosophorumImperial · Greek

    Tragic poet passed over in favor of Astydamas, cited in the Athenian-repentance passage.

    For they fined Homer (so says Heraclides) 50 drachmae for a madman, and said Tyrtaeus was beside himself, and they honoured Astydamas before Aeschylus and his brother poets with a bronze statue.
    book 2

    Dissertations on Early Law and Custom19th Century · English

    Greek tragedian, author of the Eumenides.

    This passage is parallel to a better known passage in the Eumenides of Æschylus, in which Apollo, as advocate for Orestes, argues that he was not of kin to his mother, Clytemnestra, whom he had killed.
    ch. 12

    The HistoriesClassical · Greek

    Athenian tragic poet, son of Euphorion, credited by Herodotus with originating in Greek poetry the notion that Artemis was Demeter's daughter, drawn from the Egyptian Khemmis legend.

    It was from this legend and no other that Aeschylus son of Euphorion took a notion which is in no poet before him:
    book 2

    EuthydemusClassical · Greek

    Tragic poet whose verse Socrates quotes in support of his description of the art that alone governs and benefits the whole city.

    So it seemed clear to us that this was the one we were seeking, and was the cause of right conduct in the state, and precisely as Aeschylus’ line expresses it, is seated alone at the helm of the city, steering the whole, commanding the whole, and making the whole useful.
    euthydemus

    PhaedoClassical · Greek

    The tragedian whose play is invoked and then contradicted regarding the simplicity of the path to the underworld.

    And the journey is not as Telephus says in the play of Aeschylus;
    phaedo