2. The Philosophy of the Y-king

A second matter of remark is that the Chinese have also taken up their attention with abstract thoughts and with pure categories. The old book Y-king, or the Book of Principles, serves as the foundation for such; it contains the wisdom of the Chinese, and its origin is attributed to Fohi. That which is there by him related passes into what is quite mythological, fabulous and even senseless. The main point in it is the ascription to him of the discovery of a table with certain signs or figures (Ho-tu) which he saw on the back of a horse-dragon as it rose out of the river. This table contains parallel lines above one another, which have a symbolical signification; and the Chinese say that these lines are the foundation of their characters as also of their philosophy. These symbols are quite abstract categories, and consequently the most superficial determinations of the understanding. It must certainly be considered that pure thoughts are brought to consciousness, but in this case we make no advance, merely remaining stationary so far as they are concerned. The concrete is not conceived of speculatively, but is simply taken from ordinary ideas, inasmuch as it is expressed in accordance with their forms of representation and of perception. Hence in this collection of concrete principles there is not to be found in one single instance a sensuous conception of universal natural or spiritual powers.

To satisfy the curious, I will give these principles in greater detail. The two fundamental figures are a horizontal line ( —— , Yang) and the one which is broken into two equal parts ( – – , Yin). The first which is the perfect, the father, the manlike, the unity, such as is represented by the Pythagoreans, represents the affirmative; the second is the imperfect, the mother, the womanly, the duality and the negation. These signs are held in high esteem, for they are considered to be the Principles of things. First of all they are placed in combination of two from which four figures result:

or the great Yang the little Yang, the little Yin, and the great Yin. The signification of these four representations is matter as perfect and imperfect. The two Yangs are perfect matter: the first is in the category of youth and power; the second is the same matter, but as old and powerless. The third and fourth images, where Yin constitutes the basis, are imperfect matter, which has again the two determinations of youth. and age, strength and weakness. These lines are further united in sets of three, and thus eight figures result, which are called Kua,

I will give the interpretation of these Kua just to show how superficial it is. The first sign, containing the great Yang and the Yang is the Heavens Tien) or the all-pervading ether. The Heavens to the Chinese means what is highest, and it has been a great source of division amongst the missionaries whether they ought to call the Christian God, Tien, or not. The second sign is pure water (Tui), the third Pure fire (Li), the fourth thunder (Tschin), the fifth wind (Siun), the sixth common water (Kan), the seventh mountains (Ken), the eighth the earth (Kuen). We should not place heaven, thunder, wind and mountains on the same footing. We may thus obtain a philosophic origin for everything out of these abstract thoughts of absolute unity and duality. All symbols have the advantage of indicating thoughts and of calling up significations, and in this way such are likewise present there. Thought thus forms the first beginning, but afterwards it goes into the clouds, and Philosophy does likewise. Therefore if Windischmann in his commentary recognizes in this system of Confucius, a “thorough interconnection between all Kua, in the whole series,” it should be remembered that not a particle of the Notion is to be found in it.

United further in sets of four, the lines produce sixty-four figures, which the Chinese consider to be the origin of their characters, since there have been added to these straight lines those which are perpendicular and inclined in different directions.

In Schuking there is also a chapter on Chinese wisdom, where the five elements from which everything is made make their appearance. These are fire, water, wood, metal and earth, which exist all in confusion, and which we should no more than we did before, allow to be principles. The first canon in the law is found in the Schuking as the naming of the five elements; the second, considerations upon the last, and so it goes on. Universal abstraction with the Chinese thus goes on to what is concrete, although in accordance with an external kind of order only, and without containing anything that is sensuous. This is the principle of all Chinese wisdom and of all the objects of study in China.